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  • Strathmore 200 Series Sequential Art Bristol

    Weight: 100 lb. (20" x 26" x 500 sheets) 270 g/m2

    Surface: Smooth

    Strathmore 200 Series Sequential art bristol is an economical, smooth bristol weight board printed with non-reproducible blue lines for comic and Manga applications.

    Printed surfaces for inner pages are available in sheets or pads. Printed cover surfaces available in 12 sheet packs.

  • A Bird a Day...

    Christopher Durant is a popular artist on Facebook not least for his bird journals. A quick look at his page will reveal a lively engagement and love for our feathered friends. We recently got in touch with him, and found out that he loves the Strathmore 400 and 500 series! He is now a convert to our toned tan journal! We caught up with him and asked him a little about his work and what he is inspired by.

    Inca Tern

    1.So tell us a bit about yourself. How long have you been an artist and what got you into it?

    Hello. Well I'm 27 years old, soon to be 28 and i have been drawing pretty much all my life. Ever since i was around 3 years old I was fascinated by many things and my ability to draw helped me understand things better. If I was passionate about something new or wanted to learn more, I would draw.
    I gave it up for a while after a teacher at secondary school did little to inspire me, and said I wouldn't achieve much if I ever ventured into an artistic related career. I am thankful I returned to what I love doing the most and I have been drawing for around 5 years now. I draw everyday and it's my main passion to improve my

  • When "Doodling" becomes an Artform - feature on Steve Turner

    Steve Turner uses Strathmore Bristol Smooth to create the designs for his linear colouring books and T-shirts.  He has transformed the Doodle into inspirational art, giving pleasure to hundreds of artists and creatives who buy and enjoy his books. We catch up with him in-between him honing his cross-hatch method and fulfilling commissions. 

    Steve Turner tropical

    Can you give us a bit of background on yourself? How you started as an artist? 

    My background has always been in art. I studied at Art College after school, before moving on to train in animation at university. Following graduation, I became a graphic designer. After a decade in the wilderness, I picked up pens again just a couple of years ago as a form of relaxation. I started doing what I did as a kid - mindless doodles to fill a page. This became a hobby and I started researching other artists - I found out that “doodling” is a popular artform in itself. I started posting pictures of the things I had drawn online, and people started asking me for custom

  • Interview with Kim Taggart

    Kim Taggart blew us away with the work she created on our 500 Series paper depicting the beautiful and picturesque Kansas landscape. After seeing her work, we just had to take the opportunity to speak to her and gain an insight into her artistic style, inspirations and plans for the future. 


    First of all I’ve got to say that your work is incredible. How did you first get into art? Was it something you fell in love with at an early age or later on in life?

    Thank you, I appreciate it. My kindergarten teacher was the first to notice I had artistic ability. My parents just thought all kids drew like me. I skipped over the stick figure stage and dove right into flesh contours on my people. Art was always my favourite subject in school and I started private art lessons at age 9 with training in charcoal, pastel, watercolour, pen & ink and oil paint. A professor at a college in Olathe, Kansas took me in— Dr. James Dobson Sr.

    Receding Darkness by Kim Taggart


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